Pippin Rocks!

Center Theatre Group and Deaf West Theatre knows how to put on a great show!

Since Deaf West and Center Theatre Group merge to create Deaf-musicals, they have been successful at what they do. The previous Sleeping Beauty Wakes got huge reviews and the first one that I saw at Mark Taper Forum was Big River. starring Tyrone Giodran. He again does the role of Pippin and Ty Taylor (picture shown below) as the scene stealing Lead Player – Both actors did a great job at this Deaf West and Center Theatre Group collaboration.

The songs and the music was awesome and it was such a great time to watch the musical numbers in ASL from both the Deaf and Hearing actors. The whole cast worked the play fluently and they seem to be having fun playing their parts. The minimalistic stage and props give the actors room to stage their ASL as the play itself. Watching the motion of the hands and arms, and the body placing themselves around the stage was such a spectacular feat in itself.

Stephen Schwartz who created the original Pippin was excited to have Pippin reproduced by Deaf West Theatre after the success of Big River by the same theatre companies, and the successful hard work by the cast and the crew displayed that this was indeed a new genre of ASL Broadway style productions. I was so impressed by the dazzling costumes, the actors and actresses who flaunt themselves on the stage and the role of the Player by Ty Taylor was very magical experience as he went from location to location singing and signing the lyrics to the musical beat of Pippin. It was such a magical experience that I enjoyed every minute of it. Let’s not forget the timing of the humor was on spot and the pace of the play was quite awhile, but worth every minute of it.

Here is a great critical review from the Schwartz website:

Pippin Finds a New Voice

By Suzy Evans

Stephen Schwartz has been waiting a long time for a revival of Pippin like the one at the Mark Taper Forum in Los Angeles. “Over the last several years, I've periodically been approached about a revival of Pippin and for one reason another the circumstances didn’t really make sense,” Schwartz explained in a January interview. There had to be enough of a reason. “And then when Jeff Calhoun called me about doing it with Deaf West, immediately that seemed the ideal way to do it.”

Deaf West is a Los Angeles-based company that casts deaf and hearing actors in their productions. Working with Center Theatre Group, they had already staged Big River with great success, and it was time for something new.

For Deaf West productions, hearing actors are required to learn their lines in American Sign Language (ASL) while the deaf actors must learn how to keep in time with the music while being voiced by hearing actors.

Schwartz thinks Pippin is a natural choice for this kind of presentation because elements of Pippin’s original production can be used to accentuate Deaf West’s interpretation. "The original production for Pippin and most of the revivals that I’ve seen involve the use of hands in various ways, gesturing etc.,” he said. “Obviously when you’re dealing with speaking with your hands and with signing then that adds a whole other element to it.”

Pippin is a story about discovering who you are, and Schwartz, who started writing the show for an extracurricular group in college, called the show “semi-autobiographical.” However, Pippin’s journey of self-discovery takes on a new meaning as these two distinct cultures merge. Schwartz wanted to play with the idea of having people who speak with their hands find their "voice." He comments, “There are ways in which certain concepts of the production and specific moments specifically speak to that issue.”

Musical Schwartz - March 16, 2009

LA TIMES is the best newspapers for Theatrical reviews as well. This one link will lead you to the Review of Pippin:

LA Times Review of Pippin from Deaf West

I am so glad I went to see this play. Since I missed Sleeping Beauty Wakes by the same Theatre Companies, I was so relieved to finally have seen Pippin. It was such a great evening with Kaisa, Candice and I. Later in the evening over a glass of wine before entering the theater at Mark Taper Forum, we met with Alex and his friend. I hoped everyone enjoyed their first Deaf Musical production if they never seen one before. But for Candice and I, this was our of of many and hopefully many more to come!

Here is a clip from Broadway World .. you can see the opening night party, rehearsals and more. And the Lead Player of Pippin Ty Taylor takes you on a backstage tour. ENJOY!

http://www.broadwayworld.com/videoplay.cfm?colid=40144

Hope you all enjoy this review of the Musical of Pippin for it was indeed a magical experience to watch it.